Thursday, October 11, 2007
Friday, October 5, 2007
dvds vs laptop
Is it better to burn DVDs or can we keep things on our laptops and show them that way?\
Thanks!
Thanks!
Thursday, October 4, 2007
Weather for this Weekend
I confess, I'm a weather geek. I studied meteorology pretty heavily in school before I threw myself into photojournalism. So i ran some numbers, studied the models from a few different sources and checked with other weather geeks and found this forecast to be the best.
Shorthand:
It will be beautiful. Partly to mostly cloudy most days with light winds (under 10mph). Temperatures will be as high as the lower-mid 80s and the lows at night should only drop to the upper to mid 50s.... No rain is prevalent in any of the models from Friday - Monday.
Daily forecast: I took this from weathertap.com - their forecast was about dead on with what i saw in the models
FRIDAY:
Mostly sunny. Highs in the mid 80s. Light and variable winds.
FRIDAY NIGHT:
Mostly clear. Lows in the upper 50s. Light and variable winds.
SATURDAY:
Partly sunny. Highs in the lower 80s. Light and variable winds...becoming west around 10 mph in the afternoon.
SATURDAY NIGHT:
Mostly clear. Lows in the upper 50s.
SUNDAY:
Partly sunny. Highs around 80.
SUNDAY NIGHT:
Partly cloudy. Lows in the mid 50s.
MONDAY:
Partly sunny. Highs in the mid 70s.
MONDAY NIGHT:
Partly cloudy. Lows in the upper 40s.
See you at the Barn.
Scott
Shorthand:
It will be beautiful. Partly to mostly cloudy most days with light winds (under 10mph). Temperatures will be as high as the lower-mid 80s and the lows at night should only drop to the upper to mid 50s.... No rain is prevalent in any of the models from Friday - Monday.
Daily forecast: I took this from weathertap.com - their forecast was about dead on with what i saw in the models
FRIDAY:
Mostly sunny. Highs in the mid 80s. Light and variable winds.
FRIDAY NIGHT:
Mostly clear. Lows in the upper 50s. Light and variable winds.
SATURDAY:
Partly sunny. Highs in the lower 80s. Light and variable winds...becoming west around 10 mph in the afternoon.
SATURDAY NIGHT:
Mostly clear. Lows in the upper 50s.
SUNDAY:
Partly sunny. Highs around 80.
SUNDAY NIGHT:
Partly cloudy. Lows in the mid 50s.
MONDAY:
Partly sunny. Highs in the mid 70s.
MONDAY NIGHT:
Partly cloudy. Lows in the upper 40s.
See you at the Barn.
Scott
Getting excited...
Hey guys! Just wondering if anyone else is taking the bus from midtown and if anyone has more info on where exactly we are supposed to meet? Also, we got that e-mail this morning about bringing an outfit of all black clothes... does anyone know what we are going to be doing in those clothes (I ask because I only have black dresses- didn't know if that would be ok or if I should go buy some black pants today)? Ok. That's all for now- I can't wait to meet everyone tomorrow!!
inspiring
"Unsatisfied and self absorbed they lose sight of all the other magnificent things that are going on around them.."
i can't wait to meet all of you + make great memories through lots of pictures and other magnificent things.
yana
i can't wait to meet all of you + make great memories through lots of pictures and other magnificent things.
yana
Wednesday, October 3, 2007
From CPMcB
C.P.McB said...
So here is the deal.. What you are in for is a mind blowing experience that will resonate for a life time. There is so much to it.. What I am about to say is just ... my opinion.. my experience.. you will have your own unique story to tell.... EAW is about building relationships with fellow photographers, editors, and other folks in our biz. You are entering a community of like minded people who really want to help you, not only over the weekend, but through your career . There will be lectures from top notch photographers.. , panel discussion by groups, like stock companies and agencies.. One on one critiques/reviews of your work.. Demos from the sponsors.. like profoto, and Nikon.. And of course you will be go into the field Sat and sunday and shoot.. Chris R. our producer.. Is working on an assignment /subject for each member of our yellow team.. Our topic is "drugs". We are telling that story in 7-12 pictures here..... This is where the fun is.. Jose Azel our editor and other team members will discuss your strengths and weakness. You will take these comments into your 2nd day of shooting.
Now listen up fools! Some teams and team leaders are mad competitive, but this isn't how we run the yellow team.. The shooting you do at the farm is important.. You need to push and challenge yourselves to do your best.... However, the pictures you will make are but a small part of the entire weekend's process.. I have seen students suffer because they become way too attached to the pictures and frustrations in shooting.. Unsatisfied and self absorbed they loose sight of all the other magnificent things that are going on around them.. THIS IS NOT WHAT I AM TALKING ABOUT.. I am into the idea that developing your vision and path as a photographer is a journey and not a race. Ironically, people who struggle in their shooting at the workshop seem to learn the most.. I am really into the idea of working as a team and coming together as a unit. Oneness....
lock and load!
C.P.McB said...
So here is the deal.. What you are in for is a mind blowing experience that will resonate for a life time. There is so much to it.. What I am about to say is just ... my opinion.. my experience.. you will have your own unique story to tell.... EAW is about building relationships with fellow photographers, editors, and other folks in our biz. You are entering a community of like minded people who really want to help you, not only over the weekend, but through your career . There will be lectures from top notch photographers.. , panel discussion by groups, like stock companies and agencies.. One on one critiques/reviews of your work.. Demos from the sponsors.. like profoto, and Nikon.. And of course you will be go into the field Sat and sunday and shoot.. Chris R. our producer.. Is working on an assignment /subject for each member of our yellow team.. Our topic is "drugs". We are telling that story in 7-12 pictures here..... This is where the fun is.. Jose Azel our editor and other team members will discuss your strengths and weakness. You will take these comments into your 2nd day of shooting.
Now listen up fools! Some teams and team leaders are mad competitive, but this isn't how we run the yellow team.. The shooting you do at the farm is important.. You need to push and challenge yourselves to do your best.... However, the pictures you will make are but a small part of the entire weekend's process.. I have seen students suffer because they become way too attached to the pictures and frustrations in shooting.. Unsatisfied and self absorbed they loose sight of all the other magnificent things that are going on around them.. THIS IS NOT WHAT I AM TALKING ABOUT.. I am into the idea that developing your vision and path as a photographer is a journey and not a race. Ironically, people who struggle in their shooting at the workshop seem to learn the most.. I am really into the idea of working as a team and coming together as a unit. Oneness....
lock and load!
Tuesday, October 2, 2007
pics not yet published
Hey,
I have an overall question about portofolios: what is the protocol showing work that has been shot for magazines that hasn't yet come out. Can I show the editors at Eddie Adams pics that a magazine or newspaper commissioned but hasn't been printed yet?
I have an overall question about portofolios: what is the protocol showing work that has been shot for magazines that hasn't yet come out. Can I show the editors at Eddie Adams pics that a magazine or newspaper commissioned but hasn't been printed yet?
Quick Question
So last night I was laying in bed, dreaming about this weekend, when, BAM! I realized I may want to bring more CF cards than I currently have... so my question is twofold: 1. I know there is equipment available for us to use, but are there CF cards? And if not, are you recommending that we shoot in RAW or JPG?
Thanks in advance for your answer... it will help me to get more of this sleep everyone keeps telling us is so important before this weekend! :) Can't wait!
Thanks in advance for your answer... it will help me to get more of this sleep everyone keeps telling us is so important before this weekend! :) Can't wait!
For your reading pleasure Brian Storm has hooked us up with a list of multimedia coaches and producers who will be present
at this years workshop.
Tom Kennedy Managing Editor for Multimedia Washington Post Newsweek Interactive Tom Kennedy is the Managing Editor for Multimedia at Washingtonpost.Newsweek Interactive where he directs the photography and multimedia departments. For washingtonpost.com, he oversees the creation of all still photography, video and audio on the web site. Among honors earned in 2004, the site received the first ever Edward R. Murrow award given to a non-broadcast Web site for quality journalism, from the Radio and Television News Directors Association, based on feature videos shot by washingtonpost.com staff video journalists.
He has also been Director of Photography at the National Geographic Society and was deputy graphics director of the Philadelphia Inquirer. While at the Geographic he directed the Photographic Division that produced all still photography for the Society, with the primary focus on National Geographic Magazine. Under his direction, National Geographic Magazine was nominated eight times as a finalist in the ASME National Magazine Awards for excellence in photography, winning five times. While at the Philadelphia Inquirer, he directed two projects that earned Pulitizer Prizes for feature photography.
Early in his career, he also worked at The Gainesville (FL) Sun and The Orlando (FL) Sentinel Star.
An article he wrote about new media; Reinventing Photojournalism, is available on The Digital Journalist website. Kennedy is also on the board of directors and a team leader at the Eddie Adams Photo Workshops, and has twice be a faculty member of the Missouri Workshop, sponsored by University of Missouri’s School of Journalism. Tom was graduated cum laude with a degree in journalism and minor in history from the University of Florida.
Robert Browman Senior Producer, MediaStorm.org Since January 2005, Robert Browman has been a freelance multimedia journalist and producer based in Miami, FL. Browman spent the two years prior at the picture agency Corbis in New York City, during which time he held a few different roles including Senior Editor for News, News Assignment Representative and Multimedia Producer. Before moving to New York, Browman spent three-and-a-half years working at MSNBC.com as a Multimedia Producer, first working the daily news desk, and then working with the special projects team on multimedia Picture Stories and The Week in Pictures. Browman began his multimedia career at the Albuquerque Journal, where he worked for nearly three years as an Online Producer after moving over from the photography department. He received a degree in Journalism in 1996 from the University of Florida.
Brian Storm President, MediaStorm.org Brian Storm is president of MediaStorm (http://mediastorm.org), a multimedia production studio whose principal aim is to usher in the next generation of multimedia storytelling by publishing social documentary projects incorporating photojournalism and audio reporting across multiple media.
Storm's professional experience includes two years as vice president of News, Multimedia and Assignment Services for Corbis, where he developed a global strategy for production, packaging and distribution as well as assignment services emphasizing in-depth multimedia reporting.
From 1995 to 2002 Storm was director of multimedia at MSNBC.com, a joint venture of Microsoft and NBC News, where he was responsible for the audio, photography and video elements of the site.
Storm received his master's degree in photojournalism in 1995 from the University of Missouri where he ran the School of Journalism's New Media Lab, taught Electronic Photojournalism and produced CD-ROMs for the Pictures of the Year competition and the Missouri Photo Workshop.
Storm currently lives in New York and can be reached at brian@mediastorm.org.
Multimedia Producers
Kainaz Amaria Graduate Student, Ohio University Kainaz holds a B.A. in international relations and political science from Boston University and is currently pursuing an M.A. in photography at the School of Visual Communication, Ohio University. She briefly worked as a photographer for community newspapers in the San Francisco Bay Area including The Menlo Park Almanac, The Daily News and The Palo Alto Weekly. She has completed photographic and political internships at the Journal Star in Lincoln, Neb., at Ed Kashi's Studio in San Francisco, Calif., at the House of Commons in London, England in the office of Member of Parliament Mr. Austin Mitchell, and at Senator Edward M. Kennedy's office in Boston, M.A. Kainaz was born in Mumbai, India and calls the Bay Area her home.
Pauline Bartolone Radio Reporter and Multimedia Producer, UC Berkeley Pauline Bartolone fell in love with photography and multimedia at UC Berkeley’s School of Journalism, where she graduated in new media in May 2007. Before school, Pauline freelanced from Latin America and was Associate Producer of the national radio magazine “Making Contact.” Her work has been heard on NPR news, Latino USA, Living On Earth and Weekend America. As a multimedia storyteller, Pauline chases stories of love and survival, from Colombian landmine victims to Muslim polygamists. She’s currently a San Francisco Bay area based freelancer.
Diane Cook Multimedia Producer, MediaStorm.org Diane Cook was a producer for public radio's This American Life for five years, where she worked on the radio and TV show, and also produced their series of Greatest Hits CDs. The show has won the Peabody, Murrow and duPont awards for its radio reporting, and received Emmy nominations for its TV program. She came to documentary work through the Salt Institute for Documentary Studies in Portland, ME. In addition she has worked as a writer, audio consultant, and educator. Her writing has appeared in The New York Times Magazine, and This American Life. In the ongoing struggle between her desire to live in the city and the country, she has spent four summers teaching university students at the New England Literature Program, through the University of Michigan, where she graduated with a degree in English and Creative Writing.
Coburn Dukehart Picture & Multimedia Editor, NPR.org Coburn Dukehart recently joined NPR.org as the first (and only!) photo and multimedia editor. Prior to joining NPR in June 2007, she spent three-and-a-half years as an online photo editor and multimedia producer at USA TODAY, during which she covered her first Superbowl, first NASCAR race, and first hurricane. She has also worked at washingtonpost.com, and the White House photo office. She has a master's degree in photojournalism from the University of Missouri, and is a veteran of various photo workshops, but is excited to experience another first – Eddie Adams!
Seth Gitner Multimedia Photojournalist, The Roanoke Times Seth Gitner has been Multimedia Editor for The Roanoke Times and roanoke.com for two years. A still photojournalist for 10 years, his role is to help integrate multimedia news gathering techniques into a traditionally print newsroom.
Seth has taught multimedia storytelling at the Poynter Institute's Visual Edge Workshop, the North Carolina Photojournalism Workshop and the Truth with a Camera workshop. He is a past president of the Virginia News Photographer's Association and currently serves as Chapter Board Representative on the National Press Photographer's Association board of directors. He also chairs the NPPA's multimedia committee and runs the multimedia portion of the Annual NPPA Multimedia Summit and Immersion.
Since his move to the online side of The Roanoke Times' fully integrated newsroom, Seth, along with the roanoke.com digital media team, has earned numerous accolades including the 2005 'Best Internet Site under 1 million users' award by Editor and Publisher magazine, the 2006 NAA Most Innovative Storytelling Award, the 2005 Scripps Howard Award for Web Reporting, the 2005 and 2007 APME Online Convergence Award and the 2006 General Excellence Award from the Online News Association.
Seth has spoken about multimedia journalism at various seminars around the country including the SND Quick Course, NPPA News Video Workshop, NPPA Multimedia Immersion and twice at the UC Berkeley Knight Fellowship.
Both his multimedia and photography have been recognized by the NPPA's Best of Photojournalism contest. Gitner attended Barnstorm VIII as a student in 1995.
Greg Harris Creative Director, Brightcove Greg Harris is the creative director for publishing products for Brightcove and has been designing interactive experiences for more than 15 years.
At Brightcove Harris is responsible for the design, user experience for the Storymaker product line and helping customers create high-end multimedia experiences. Harris is also a a co-founder of MetaStories that was acquired by Brightcove in 2006. At Metastories Harris was the vice-president of Design and User Experience and designed Storymaker an online publishing tool that allows individuals to quickly edit and assemble video, graphics, text and audio. Customers include Yahoo!, Discovery Networks, National Geographic, Scripps Network .
Before co-founding MetaStories Greg served as Creative Director for the Seattle office of Circle.com an interactive agency founded by Roger Black. While at Circle Harris and his team helped design and develop new identities and websites for several popular internet sites and media organizations including Microsoft and Discovery Communications.
Harris also served as Design Director for MSNBC.com where he and his team were responsible for the design and user experience for the site. He worked directly with writers, producers and multimedia editors to produce ground breaking interactive experiences including The Year in Pictures, Interactive Space Gallery and breaking news coverage for the Death of Princess Diana.
Prior joining MSNBC Harris spent 7 years in newspapers serving various rolls including Art Director, Designer and information designer for The Tacoma News Tribune and the Idaho Statesman.
Greg is a member of the Professional Photographers of America and Washington State Professional Photographers Association where he spends his free time helping his wife Teri with their photo studio in Gig Harbor, Washington (ladybugphotography.com). Together Greg and Teri have been awarded top honors in state and national photography competitions including Weddding Photographer of the Year in 2005, 2006 and PPA of Photographer of the year in 2007.
Miki Meek Producer, AARP.org Miki Meek is a freelance producer who’s been consulting with AARP for the past year on an effort to re-launch the organization’s website in 2008. Prior to AARP, she worked as a producer for National Geographic’s New Media division for five years. There she wrote articles, edited photos and audio, and directed production work for award-winning multimedia shows and other interactive features. Most recently her slideshow on the oil-rich, cash-poor region of the Niger Delta received first place in NPPA’s monthly multimedia competition. The National Geographic site also received Best Online Magazine at the Webby Awards and General Excellence Online at the National Magazine Awards in 2006. Meek graduated with a degree in journalism from Brigham Young University in 2001.
Bob Sacha Photojournalist and Instructor, International Center of Photography In 25 years as an award-winning photojournalist, Bob Sacha has produced photo essays, portraits and covers for National Geographic, Life, Time and Fortune, among dozens of other national and international publications. Versatile and always curious, he has explored subjects ranging from American presidents to China's environmental impact, Kolkata India tea stands to revolutions in mapping. He photographed the first all-digital around-the-world assignment for National Geographic Magazine, the January 2005 cover story “Caffeine.” He has received many international awards, including the Alfred Eisenstaedt Award for Magazine Photography, Picture of the Year and NPPA awards.
Last year, Bob was the John H. and James L. Knight Foundation Fellow at Ohio University, where he taught photography and studied new media and film. This year he leads a graduate seminar in documentary and photojournalism at New York's International Center of Photography. He also teaches workshops in photography and new media at the Maine Photographic Workshop, the Tuscany Photographic Workshop and the Santa Fe Workshops. He lives in New York City and has pitched headlong into multimedia, creating multimedia projects and digital video documentaries. Bob’s photographs have been widely exhibited and are held in several private collections both in Europe and the United States. To see more of Bob’s work, visit his website: www.BobSacha.com.
Jim Seida Multimedia Producer, MSNBC.com Since becoming a Multimedia Producer for MSNBC.com in 1996, Jim Seida has specialized in advancing the use of audio combined with still and moving images for an internet audience.
In addition to traveling to Eastern Europe and the Mediterranean on assignments, Seida has reported stories closer to home including covering the Olympic Torch Relay, the launch of Spaceship One, and extensive coverage of Hurricane Katrina and its aftermath.
Seida loves teaching audio and multimedia reporting to photojournalists. He attended the photojournalism programs at University of Alaska, Fairbanks and University of Missouri, Columbia.
Chad A. Stevens Multimedia Producer, MediaStorm.org Chad A. Stevens has been a faculty member in the photojournalism program at Western Kentucky University, a master's degree candidate in the School of Visual Communication at Ohio University and a photographer and multimedia producer in Africa. While teaching at Western Kentucky University, Stevens created an annual documentary photography workshop, the Appalachian Cultural Project, and won the University Faculty Award for Public Service in 2006. In 2002, he spent a year of living in East Africa producing multimedia projects for Save the Children, AIDchild, Literacy and Basic Education and the Global Food for Education Initiative. Prior to this journey, Stevens worked at the Kalalmazoo Gazette as a staff photographer and page designer. He is a graduate of Western Kentucky University and interned at National Geographic. He was named College Photographer of the Year in 1997.
Tim Klimowicz Interactive Designer, MediaStorm.org A graduate of the School of Visual Arts, Tim Klimowicz is a graphic designer who was born, raised, and currently resides in New York City. With a BFA in Graphic Design from the School of Visual Arts and an Associate of Applied Science in Network Administration from LaGuardia Community College, Klimowicz's interests range from art, design, technology, photography, and music, with a more recent interest in interactive mapping and information design. His ongoing interactive project - Iraq War Coalition Fatalities - has been viewed by hundreds of thousands of people worldwide and received recognition from multiple media outlets, including the Wall Street Journal Online, Spiegel International, MSNBC and Salon.com. Multimedia Coaches
Monday, October 1, 2007
Here is the first list of editors and notables. I am working on more.
Nancy Andrews (Detroit Free Press), Pancho Bernasconi (Getty Images), Hal Buell , James Colton (Sports Illustrated), Bill Eppridge, Bill Frakes (Sports Illustrated), David Griffin (National Geographic), Chris Hondros (Getty), Tom Kennedy (Washington Post/Newsweek Interactive), David Kennerly, Douglas Kirkland, Vincent Laforet, Gerd Ludwig (National Geographic), Michele McNally (New York Times), William Nabers, Tim Rasmussen (South Florida Sun-Sentinel), Eli Reed (Magnum), Howard Schatz, Maggie Steber, Brian Storm (MediaStorm), John White (Chicago Sun-Times), Michael Williamson (Washington Post), Nick Ut (Associated Press)
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